The council also specified that no alcohol be served to bands in the so-called “green room,” which is really the lobby area adjacent to the council chambers. “We worked really hard to attract the top rock cover bands in the Bay Area. Since we pay them a fraction of what they normally get paid, we treat them really well,” Canali said. “We feed them and on a hot day we give them a glass of wine or beer, and that’s part of why we’re saying we want alcohol in the green room. It’s just for the bands.”.
“We already have the 8 silver pewter ballet shoe charms (qb41) - new charm infrastructure to support organizations that can’t afford them, and it incrementally provides more work for our part-time Hillbarn staff members,” Foster explains, Hillbarn has also begun offering what she terms “one-offs”: one- or two-night performances such as its annual show tunes sing-along, BATS (Bay Area Theater Sports) Improv, and the recent “Mack and Mabel.”, “As a nonprofit community theater, we get no foundation support,” says Foster, “Our money comes from our ticket sales and donations — that’s it, So these collaborative agreements, like the one we just announced with the Fremont Symphony Orchestra, provide us with the means to continue — even in difficult economic times.”..
Pamela Rose closes the month at the Freight on March 30, celebrating the release of her impressive new album “The Blues Is a Woman.” Like Benin, her band features saxophonist Kristen Strom, bassist Ruth Davies, and yes, pianist Tammy Hall on a multimedia program celebrating the central role women played in the rise of the blues. Jazz Church West, which has been presenting free concerts at Danville’s Peace Lutheran Church for a dozen years, marks International Women’s Day on March 5 with a concert by Mad Duran and the Saxophonists, an all-women ensemble with the three-horn front line of Duran, Kasen Knudsen and Kristen Strom (backed by bassist Cindy Brown Rosefield and drummer Daria Johnson).
Americana emerged again in Mark Morris’ charming “Drink to Me Only With Thine Eyes” études, Echoing composer Virgil Thomson, Morris presents a series of academic ballet steps shorn of choreographic 8 silver pewter ballet shoe charms (qb41) - new charm decor and nakedly academic, like the ascending and descending scales of the score, (Dancers Julia Rowe and Benjamin Freemantle are particularly charming.) Morris also drops the usual ballet trappings to have his dancers become cells that mirror some of Thomson’s sounds, played seamlessly by Natal’ya Feygina on a grand piano at center stage, Like Thomson, Morris deconstructs classical form and reassembles it into something surprising and new..
BIG SUR — Reeling from severe storm damage and crushing expenses, a cathedral to the personal growth movement will reopen next week after its rescue by an ethos far more powerful: community. The Esalen Institute, a spiritual retreat center that is often dismissed as a place of introspective navel-gazing, will welcome its first guests in six months next Friday thanks to emergency donations, generous vendors, volunteer help, and the tireless efforts of its reduced and depleted staff. “When you come together, almost anything is achievable,” said Terry Gilbey, Esalen’s general manager.