Demons exploded on the Florida rap scene in August with the hit “Murder on My Mind,” which as of early Thursday had about 65 million streams on Spotify. The young rapper, who recently released a track featuring Grammy Award winner Kanye West, has been hailed as one of the genre’s rising talents, many believing he could be the next big thing to come out of a state that has birthed rap megastars such as Lil Pump, Kodak Black and the late XXXTentacion. Despite being described by Billboard magazine as having “an undeniable voice” and the ability to produce “raw, emotive, haunting songs,” Demons’s path to success was far from easy, plagued by a stifling small-town upbringing and several brushes with the law.
Mezzacappa terms herself an “instigator.” When she performs, wrapped around her upright bass, she tugs and tickles the strings, shaping sturdy lines that coil, uncoil and stealthily interact with her band mates, She patiently propels the music while assessing what her next moves should be, One senses that ballerina shoes ballet applique machine emboridery design digital pattern this is how she lives, too, She is well-prepared, grounded and always on the lookout for the next surprise, Anything can feed Mezzacappa’s music: her interest in the journals of those “lady explorers,” her love of noir detective novels, or her addiction to the Criterion Collection of foreign and experimental films on Hulu Plus, When she meets or hears about another broad-minded musician, she follows up; one result is that she has just returned from a monthlong tour of Germany and Italy..
While traditional Cirque shows have a distinctly macho aesthetic, from the pyrotechnics of “Ka” to the roaring athletics of “Totem,” this enchanting production showcases the essence of female power. Shakespeare’s fierce wizard Prospero is transformed into a queenly Prospera (Julie McInnes) and the mother/daughter bond is at the heart of the experience. Having been nurtured amid an Amazonian culture where women lead the way, the wide-eyed Miranda (Iuliia Mykhailova) discovers a brave new world of men and promptly falls for her Romeo (Evgeny Kurkin) as the Caliban-style lizard man (Victor Kee) slithers by.
Music at Kohl Mansion, All concerts begin a 7 p.m, Pre-concert talks by musicologist Kai Christiansen begin at 6 p.m, Dec, 15, A Night at the Opera — Gala Holiday Concert, Kohl Mansion, 2750 Adeline ballerina shoes ballet applique machine emboridery design digital pattern Drive, Burlingame, $15-$48, $60 for gala, 650-762-1130 or www.musicatkohl.org/tickets, Audra McDonald, soprano, 7 :30 p.m, Jan, 17, Show tunes, movie songs and original pieces, Bing Concert Hall, 327 Lasuen St., Stanford University, http://live.stanford.edu, Dragon Theatre, “November.” By David Mamet, Through Dec, 15, Directed by Troy Johnson, Dragon Theatre, 2120 Broadway Street, Redwood City, $15-$35, (Pay-what-you-can preview on Nov, 21; $10 rush tickets on Thursdays and Fridays after opening week), http://dragonproductions.net/activities/2013season/november.html..
TheatreWorks Silicon Valley. “Constellations.” Through Sept. 17. By Nick Payne. Directed by Robert Kelley. Featuring Robert Gilbert and Carie Kawa. Mountain View Center for the Performing Arts, 500 Castro St., Mountain View, $40-$100 (discounts available). theatreworks.org or 650-463-1960. Los Altos Stage Company. “The Crucible.” Sept. 7 through Oct. 1. By Arthur Miller. Directed by Jeffrey Lo. Features Joe Antonicelli, Nicole Apostol Bruno, Michael Champlin, Jeff Clarke, Carolyn Compton, Mat Espinosa, Marjorie Hazeltine, Alexandra Ho, Leslie Ivy, Gary Landis, Maria G. Marquis, Shareen Merriam, Brittany Pisoni, Roneet Aliza Rahamim, Neiry Rojo, Ellie Schwartz, Max Tachis, Damian Vega and Cameron Wells. Bus Barn Theatre, 97 Hillview Ave., Los Altos. $18-$38. www.losaltosstage.org or 650-941-0551.