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The Ballet, which formed a partnership with New York’s famed American Ballet Theatre in 2012, has faced a series of financial obstacles in recent years. Some programs failed to generate expected revenues. There has been diminished support from a key donor, John Fry, CEO of Fry’s Electronics, who has donated more than $20 million to the troupe in the last decade but has been dialing back the level of support for years. Old debts, including a $500,000 tax bill that is currently being negotiated with the IRS, have also piled up.

Bay Area Youth Orchestra Festival, 3 p.m, Jan, 19, Davies Symphony Hall, 201 Van Ness Ave., San Francisco, California Philharmonic Youth Orchestra, Byung-Woo Kim conducting: Rossini, Overture to William Tell, Palo Alto Chamber Orchestra, Benjamin Simon conducting: Beethoven Grosse Fuge for String Orchestra, Opus 133, (trans, Weingartner), El Camino Youth Symphony, Camilla Kolchinsky conducting: Tchaikovsky Capriccio italien, Opus 45, Oakland Youth Orchestra, John Kendall Bailey conducting: Wagner Prelude to Act I of Die Meistersinger von Nürnberg, Young People’s Symphony Orchestra, David Ramadanoff conducting: Jennifer Higdon blue cathedral, San Francisco Symphony Youth Orchestra, Donato Cabrera conducting: Copland Four Dance Episodes from Rodeo (Buckaroo Holida, Corral Nocturne, Saturday Night Waltz, Hoedown), Festival Orchestra (composed of representative members of above ensembles), Michael Morgan conducting: ballet slippers shoes applique machine embroidery design ballerina Falla The Miller’s Dance and Final Dance from The Three-Cornered Hat, $25 general, $70 reserved, General admission half price for ages 17 and under, sfsymphony.org, 415-864-6000 or Davies Symphony Hall Box Office, Grove Street between Van Ness Avenue and Franklin Street, San Francisco..

Cantor Arts Center at Stanford University. “Carrie Mae Weems: Three Decades of Photography and Video,” through Jan. 5, 2014. “Flesh and Metal: Body and Machine in Early 20th-Century Art,” more than 70 artworks that explore a central dynamic of art making in Europe and the Americas between the 1910s and the early 1950s, through March 16, 2014. 11 a.m.-5 p.m. Wednesdays-Sundays; Thursdays till 8 p.m. Stanford campus, off Palm Drive at Museum Way. 650-723-4177 or museum.stanford.edu.

The disagreement has gotten contentious, and a bit personal for Glassman, he said, so he’s ready to move past it, What that means for Asefaha and the Alena Museum is less clear, They’ve retained James Cook, an Oakland attorney, to fight the court order demanding they vacate the space, Since ballet slippers shoes applique machine embroidery design ballerina Asefaha lives there, along with two other housemates, Cook contends Glassman’s eviction order is inadequate, Glassman can’t simply kick out the Alena Museum as a business, he must evict each tenant individually and show just cause for doing so, per Oakland’s rental laws, Cook said..

“It’s a very Cold War, black-and-white graphic novel,” says the filmmaker. “(I thought) why not focus on the city of Berlin at that time, which was full of color and life and music and punk rock? Then you infuse an action element into the noir. Now, this is (le Carré’s) ‘Tinker, Tailor…’ with fight scenes and a great soundtrack.”. Let’s add the costumes, “which ranged from classic period Dior to secondhand punk scrounged from thrift shops (in “Blonde’s” main shooting location, Budapest, Hungary),” says Leitch, “and the color and the graffiti from the wall, and you no longer have a spy thriller like you would have had before. But the story is still that. The characters are still complex, but the world is fun and exciting and commercial.”.