Details: “Miudsummer” plays June 29-July 16, “Cyrano” plays July 13-30; all performances at Wente Vineyards, Livermore; $18-$48; livermoreshakes.org; “Hamlet” plays June 1-16 at Pleasanton’s Amador Valley Community Park before moving to Cupertino, Redwood City and San Francisco; all shows are free; www.sfshakes.org. 2 Fillmore Jazz Festival: Fillmore Street was once the center of a thriving jazz and blues scene in San Francisco. This annual street fair honors that history and this year is also noting the 50th anniversary of the Summer of Love, as performers including Kim Nalley, E.C. Scott, Linda Tillery and others will weave classic San Francisco’s 1960s tunes into their sets. The festival will also feature arts and crafts and plenty to eat and drink.
That genuine love of music is evident in her first EP, a captivating three-song acoustic effort titled “Vertigo.” Listen here: marissamuraoka.bandcamp.com, It shows off Muraoka’s exquisite, expressive voice, She’s already working on a full album, which she’ll record with a band, “I’ve been writing songs since I was in middle school, I’ve been writing a lot of songs over the past five years, And these were the ones that I liked the most, They reflect t&n ballet flats moving back home after school and relationships, dealing with different life events..
Alemany had advertised on Facebook and Craigslist looking for renters seeking “immediate change and loving revolution,” who enjoyed “poetics, dramatics, film, tantric kitten juggling and nude traffic directing.” He described it as 10,000 square feet of vintage redwood and antique steel “styled beyond compare.”. His 1951 purple Plymouth remained parked Saturday in front of the building that burned so hot, the “Ghost Ship” letters painted across the front had all but melted away.
Twenty-eight-year-old dancer-choreographer Justin Peck premiered his Broadway-big “In the Countenance of Kings” between “Theme” and another precision-crafted work, Christopher Wheeldon’s “Continuum.” Peck is one of a small group of swiftly promoted young male t&n ballet flats choreographers in the U.S, In 2014, he was named New York City Ballet’s resident choreographer, This San Diego native set the sweeping “Countenance” to pop music maker Sufjan Stevens’ “The BQE” (Brooklyn Queens Expressway), lushly and robustly orchestrated by New York-based classical horn player Michael P, Atkinson..
If one piece seems out of place on the “Misa Tango” program it’s Nino Rota’s “Suite from the Ballet La Strada.” Best known for his celebrated film scores, the Italian composer came into Vieu’s orbit via an early stint as a conductor in Mar del Plata, an Argentine city populated mostly by Italian immigrants and their descendants, “where the orchestra would perform every year as a tribute to Italian patriotic festivities,” Vieu writes. “While it is true that Rota is mostly associated with movies and Fellini, ‘Strada’s’ music is comparable to the great orchestral suites for the variety of resources, climates and descriptions highlighted in it. For me, conducting this suite is not much different from conducting ‘Petroushka’ in terms of concept and the level required for its preparation.”.